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By Anuoluwa Akibu, Jack Griffin, Sierra Petties, & Ben West, III Form; with mentors Ben Robb, V Form & Blaine Duffy, VI Form
The West Nile Virus: The Minor Zoonotic Problem Without A Major Solution
In the information below, you will be able to take away a full understanding on the West Nile virus, and how it is transmitted zoonotically. West Nile virus (WNV) is a pathogen, specifically a flavivirus, and it is found in arthropods. West Nile virus infections are most common in temperate areas, between late summer and early fall, when mosquito activity is at it’s peak. Although many people become infected with WNV most people do not show symptoms. The few who do, mostly have minor symptoms like fever and headache. One percent of the people infected with the virus develop lethal symptoms that require immediate medical assistance. Most cases of West Nile virus come from mosquito bites. The mosquitoes infect humans and other animals which are called dead end hosts. Dead-end hosts cannot pass the disease on to another host. Birds however are different because they are amplifier hosts. That means they continue to spread the disease to mosquitoes have not received the virus yet. The only known treatment to West Nile virus at the moment is pain killers because scientists are still figuring out a solution. There are cures for animals and some in development for humans. There isn’t a practical solution to West Nile virus, but there have been prevention methods created. The main focus for many groups worldwide is of the disease by managing the mosquito population and observing the bird population to restrict the further spreading of the disease. Researcher(s): All; Editor(s): All (more…)
By John Camp, English Department Head
Redesigning Learning Spaces & Flexible Seating
As difficult as it may sometimes be to relinquish the manacles of some tradition(s) in education, I have focused on a main mantra when considering change: what is best for students and learning. Thus, driven by this guiding principle and my teaching methods, I decided to pursue a critical trend in 21st-century teaching and learning: the importance of space, flexible seating, and classroom design. The rub, however, was my particular classroom; since I arrived at St. Mark’s in 2008, I have been fortunate to teach in Room 8/Room 136, which historically had been the “Sixth Form Room” until 1995 (read the partner piece to this article on the history of this room here). Hence, making changes to the “seminar” classroom would be bold, as the beginning move would be removing the large, classic seminar classroom table that has been a fixture since 1995. When I teach, I do not often lecture (if at all), and while seminar-esque discussion is a crucial element of my classes, it certainly is not the only element. In all of my classes (VI Form electives “Getting LOST,” “Getting LOST II: The Writers’ Room,” “Rebels with a Cause,” and V Form English class “Books Without Borders”), students work in small and medium groups, write on their own, present to the class, do activities that include movement and interaction, utilize media, collaborate on writing and projects, watch videos/films, brainstorm and note take on the whiteboards, and conference one-on-one with me (see images below for most of these activities in action!). The large oval table was not conducive to quality student learning in these endeavors. My first stop en route to change was John Warren. (more…)
By Simon Zlystra, Reed Andary, Shep Greene, John Hart, Nick Harrison, and George Littlefield, VI Form
Original Songwriting and Recording
Editor’s Note: These reflections and recordings come from the winter St. Mark’s Saturdays course, “Songwriting and Recording.” The course, taught by Mr. Jason Eslick, covers songwriting and composition in electronic and acoustic mediums while getting students started with the art of recording and production. Students worked to come up with a recorded, mixed, and mastered final project.
George Littlefield: (more…)
By Drew D’Orsi, V Form
Video–How to Sell the Story: St. Mark’s Beyond the Classroom
In my fall St. Mark’s Saturdays course, “How to Sell the Story,” the Admission Office assigned the class a project to create a short admission video. Throughout this experience, we learned how a school sells its product of education and how it engages prospective students and families in order to “sell the story.” My group approached this project by thinking about what sets St. Mark’s apart from other prep schools. What immediately came to mind was the people of St. Mark’s and the opportunities that we have outside of the academic curriculum. Therefore, we came up with the idea of “St. Mark’s: Beyond the Classroom.” My group members (Lizzie Provost, LaQuan Mckever, Kaela Dunne, Jeff Koo) and I were pleasantly surprised that just within our small, five-person group were were able to discover such diversity and to have each member articulate a different aspect of our school community.
By Shep Greene, Steven Landry, George Littlefield, and Cole Schmitz, VI Form
Into the Mystic with Thunderhorse: a Q & A
LEO: How did you form the band and who are the members and their roles?
Thunderhorse: Our band consists of four members: Steven Landry, George Littlefield, Cole
Schmitz, and Shep Greene. Steven is on the vocals and has been singing since his middle school acting career. He is a member of the Marksmen and choir. George is the drummer, and he has also been playing since middle school. Cole plays the tenor saxophone and has been for seven years. A very talented musician (he is the only person to win the Massachusetts Association for Jazz Education’s “Most Valuable Player” two years in a row), he has been integral to the Jazz Band and now serves as its vice president. Finally, Shep plays the guitar. He has been playing since eighth grade, but started getting serious about it sophomore year. (more…)
Students on Film (in order of appearance): Charlotte Wood, Jenny Deveaux, Joey Smith, Amanda Christie, Josh Loveridge, Gabe Brower, Janelle Carmichael, VI Form
Video Oral Arguments: Literature on Trial
Editor’s Note: This is a highlight reel from Ms. Matthews’ Literature on Trial class (2016 VI Form fall semester English). The course is divided into two sections. In the first half, the focus is on trials, plaintiffs, prosecutors and defendants, reading works of literature and brainstorming criminal or civil wrongs committed by characters in the text. Students work in trial groups to gather evidence, prepare witnesses, and put on their best case. The second half consists of appellate work where students focus on the after effects of a trial, reviewing lower court records for Constitutional issues, drafting briefs for appeal and preparing for a final oral argument.