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By Jenny Tang, V Form
A $10 Billion Industry
In many communities of color in Asia, West Africa, and Latin America, fair skin is glorified, and skin-bleaching is as normal as applying lotion.
There is a multitude of causes. In some communities, colorism stems from classism: being tan means you work in the fields and are poor. According, having light skin indicates a wealthy indoor lifestyle and is desirable. In other communities, colorism has deep colonial roots: fair skin of European rulers symbolizes power and calls for worship. Whatever the cause, prejudice against dark skin harms many individuals, both on a personal level by causing shame and on a social level by increasing discrimination. Sadly, despite substantial evidence attesting to the health risks of skin-bleaching, an entire industry of skin-lightening products worth $10 billion continues to thrive today.
The three women in the artwork are Yanusha Yogarajah, Nyakim Gatwech, and Jella, who are all beauty influencers celebrating dark skin. Drawn as standing in solidarity, their confrontational gazes ask us, “What will you do about colorism?” (more…)
By Helen Huang, V Form
Cerberus: In Dramatic, Dark Lines for Studio Art
This pencil drawing is one of many pieces I am making for my concentration in Studio III. In my concentration, I am focusing on mythical creatures in the modern world. For this particular piece, I chose the idea of drawing the Greek mythological creature, Cerberus, but with a modern twist. I made the dog cute and fluffy and set him on a soft blanket with his toys near a fireplace. I wanted to make the whole composition seem cozy and welcoming, which is the opposite of what Cerberus in Greek mythology is like. The shadow of the dog, drawn with dramatic, harsh lines, is a reference to the true nature of Cerberus: scary and foreboding, which contrasts with the cuteness of the dog, drawn with soft, careful lines. I purposely chose this composition because I wanted to show that mythical creatures can evolve into what we want to see them as. Personally, I enjoy the idea of having a cute three-headed dog rather than a scary one, and therefore in my perspective, Cerberus looks like the dog in the piece. (more…)
By Jenny Tang, V Form
The Islamic Art of the Calligraphic Manuscript By Muhammad Taqi (1695)
Most people, upon hearing art, think of visuals. They recall famous paintings and sculpture. Art, however, has many more facets. Islam, for instance, regards calligraphy and book-making
as the highest form of art. For this reason, a calligraphic manuscript was chosen for this assignment. The manuscript also presents visual elements worth studying. The piece is created by Muhammad Taqi in Persia of 1695 during the era of the Safavid Empire. It is stored in Carnegie Mellon University’s rare books collection. The manuscript has a floral painting cover, a first-page design, and calligraphy. It contains namaz (daily prayers) and verses for Ramadan (the Month of Fasting) written in Arabic. Given its size of 13 by 9 by 1.3 cm, it was probably carried around for prayers. The calligraphic manuscript exemplifies Islamic art by using the elements of floral arabesque, geometry, and calligraphy. Analyzing the manuscript unveils Islamic art’s root in both religion and secular, global influences. (more…)
By Kendall Sommers, III Form
Introduction from the Poet:
I enjoy writing poetry because using words creatively is an art form that acts as an outlet for me. Depicting my emotions with strings of words allows me to be more in tune to my inner self and helps me to explore different forms of expression. I am often inspired when reading my poems over again. I thoroughly enjoy seeing myself grow emotionally as a writer and as a person. The fact that there truly is always room for improvement in writing is fascinating for me. This understanding of poetry is what drives me to keep pouring myself into these pages. In addition, I also explore poetry by reading the works of other people, whether these are poems in books or magazines or the portfolios that my friends have me read over. I learn something from every line I read, and I am inspired by how open and unique every word and every writer is. I especially love the creative genre in which I write: free verse. I choose to write in a narrative tone because it allows for the story I always have to shine through. Some of my stories are emotional, some are funny, and some are seemingly meaningless, but I use all of them as a method of exploring my thoughts and seeing how they appear to other people as text.
Below are some of my poems with explanations of how I crafted them. (more…)
By Riya Shankar, Lulu Eastman, Lillian Stout, Cooper Giblin, Tony Banson, Nick Hallal, Sophie Haugen, Sada Nichols-Worley, Ben Hunnewell, and Jimmy Tobin, VI Form
From The Writers’ Room: Extracurricular, An Original TV Series
(Above title sequence scene: music composed and played by Riya Shankar & Sophie Haugen)
Check out Extracurricular’s fan website here: https://extracurricular.squarespace.com