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Ceramics: “Patterns From Nature” Sculpture Garden {Pictures!}

By Ashley Lee, VI Form; Tony Banson and Darren Pike, V Form; Ashley Battiata, Charlotte Galusza, Lillie Harrison, Tucker Hartmann, Sam Leslie, Phoebe Macleod, Noah Robb, Cam Rubin, Bobby Sommers, and Tyler Young, III Form

Ceramics: “Patterns From Nature” Sculpture Garden {Pictures!}

Editor’s Note: The Patterns from Nature project began with exploring Biomimicry and EcoArt.  Students then researched nature on a microscopic scale. This involved studying the most finite details in structures to find intriguing patterns, forms, and textures.  Inspiration could be found in very obscure places: whether a human cell, rock crystal, or a plant stem. Gathering these designs from nature, students then sketched combinations of patterns and forms to arrive at unique clay module sculptures. This year’s Sculpture class decided to display their work outdoors in the Taft Sculpture garden.

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Something Less Depressing –– A 10-Minute Play

By Cooper Sarafin, VI Form

Something Less Depressing –– A 10-Minute Play

Editor’s Note: In the VI Form elective “Writing for Actors,” the assignment called for students to write a stageable one act play, beginning with a dramatic problem. Cooper workshopped his play several times in class, culminating in a staged reading at the end of the third window. He then took it upon himself to revise it once more before sending it out to a national forum, “Trade a Play Tuesday” , where another writer read his play and provided feedback.

SOMETHING LESS DEPRESSING

By Cooper Sarafin

Cast of Characters

James: Individual who prefers the company of himself as opposed to that of others. Doesn’t care what others think of him.

Lily: A friendly girl who likes to get to know many people.

Amy: Stereotypical popular student, superficial and self-obsessed.

Opens with a Lone Figure sitting at a lunch table in thought. In the corner is a vending machine. 

Scene 1 

James begins talking into a tape recorder

James:

Such a stigma around this, sitting alone. Why must it be regarded as entirely wrong? As something to be undesired? I see them all sitting together, absorbed in mindless conversation, unstimulating, quite boring in fact. Not to say I haven’t been counted part of them, for that’d be inaccurate. Such times as I have attempted to interact with them I joined only to have been left feeling more alone than I do now. It’s my opinion that sitting here alone, my mind to roam free, is much less lonely than to be trapped in your own head with nothing to say. Isn’t it rather lonely to be the only person who doesn’t seem to care? To be an irrelevant bystander, in close proximity, yet so far removed. For me, to exculpate myself is not a decision, but the only reasonable course of action. For alone by choice is far better than alone by force. (more…)

Moral Obligation…in Hamlet & a Fetus

By Lulu Eastman, V Form

Moral Obligation…in Hamlet & a Fetus

Hamlet, a Shakespeare play, follows the tragic tale concerning a deeply troubled Danish prince of the same name. Hamlet is forced to confront his traitorous mother and uncle in order to avenge his murdered father, who, as a ghost, has requested Hamlet takes his uncle’s life in order to bring him justice. However, Hamlet is distressed by the thought of committing such a bloody deed. As he wavers through indecision regarding his proposed mission, he also struggles against the drowning weight of his depression, as the toxic environment of the palace causes him to lose faith in the goodness of people. In the novel, Nutshell, by Ian McEwan, the story of the fetus is based off of Hamlet. With the reflective fetus entangled in the plotting of his traitorous mother and uncle, he finds himself in a predicament similar to that of the Danish prince. Although he has yet to even experience life for his own, the fetus has already lost hope for the vitality and decency of humanity. Every moment of his being is spent listening to conversations that only reveal more and more of the villainous and duplicitous ways of his mother and uncle, Trudy and Claude. Both Hamlet and the fetus reach a point where they contemplate committing suicide, as it seems to be the only way to put an end to their pain. However, both decide to live instead. Though both Hamlet and the fetus have cynical views of the world, and both consider suicide, they continue living through their suffering because they have moral obligations, beliefs, and fears that bind them to life. (more…)

Facing the Big Bad Wolf

By Grace Gorman, VI Form

Facing the Big Bad Wolf

My mom has always described me as “fearless.” To some extent, when she recounts my fearlessness, she is referring to my willingness to try new, courageous things. However, I also possess another kind of fearlessness – the determination to face whatever comes with strength and bravery. The way she retells it, she first recognized my fearlessness during a family trip to Busch Gardens amusement park.

That day, I was unable to go on many rides with my siblings because I was too small. However, this all changed when we arrived at The Big Bad Wolf. This ride was notorious for being the fastest and most thrilling at the park, and no matter how much my mom tried to convince me that I should not go on it, I was determined. Despite measuring tall enough to ride, right before stepping into the suspended seat, my stomach dropped, filling with fear and uncertainty. Nevertheless, I proceeded and, with my mom sitting next to me, we climbed the long, steep track. As we were hurled through the air, my mom screamed, “Gracie, are you okay?” I joyfully hollered back, “I want to do this again!”

From that moment on, I have been considered the most adventurous child of my family. At four years old I gleefully jumped off the high diving board at a local pool, at eight years old I began riding horses, and last year I snorkeled in the middle of the ocean, where I swam right next to a Barracuda and touched stingrays. While my mom might use these examples to describe my fearlessness, these are not the moments during which I consider myself to have been the most fearless. My most fearless times were after my sister died. (more…)

Letter to the Editor: Native American Policy

By Mo Liu and Jamie Lance, V Form

Letter to the Editor: Native American Policy

Dear Editor Jackson,

It occurs to me that there is much attention raised among the general public regarding our government’s policy towards Indians, and therefore in writing to you, I, as a member of the Board of Indian Commissioners, want to clarify my position. Indians cannot be entirely excluded from our picture as a nation. However, the Indian society is not a cultivated society likes ours. One of my colleagues, who is experienced with Indian affairs and always provides us with elaborate information about the Indians, says their tribes are corrupted by “idleness, improvidence, and indebtedness”. The lack of private property or land and the underdevelopment of laws mark the Indian society as barbarous and inferior to ours. Because of this difference, since 1871 Indian tribes are no longer considered sovereign nations. Governments before us circumvented the Indian dilemma by relocating and establishing reservations west to the Mississippi River, yet now with a closed frontier and western migration, conflicts between settlers and the Indians are inevitable. The issue is pressing. (more…)

(In)Visible: The TV Pitch Project Winner

By Katie Hartigan, Nick Hadlock, and Anderson Fan, VI Form

(In)Visible: The TV Pitch Project Winner

screenshot-2017-02-01-22-35-06Logline:

Unified in isolation, six strangers’ morality is put to the test when taking a pill makes them invisible to everyone but each other, but what they don’t know is that they are part of a social experiment and are constantly being watched.

 

Elevator Pitch:

(In)Visible is a two-season television show falling under the category of sci/fi, drama, and thriller. It is about six main characters that participate in a seemingly risk-free drug trial by Osiris Pharmaceutical that leaves them invisible to everyone except each other. They must cooperate in order to overcome the challenges presented to them and the mystery of what happened to them. Little do they know, they are being watched by six “monitors” behind the operation who are observing the behavior of people who think nobody is watching. Themes of cooperation, isolation, and leadership emerge as the characters find modes of survival and uncover the mystery. Season One ends with the six participants transitioning into monitors, and thus inheriting the responsibilities of monitors. New participants are introduced as the six monitors give them different moral tasks as part of the social study. Season Two ends with the new participants discovering how to escape the cycle: do the right thing.

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