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Letter to the Editor: Native American Policy
By Mo Liu and Jamie Lance, V Form
Letter to the Editor: Native American Policy
Dear Editor Jackson,
It occurs to me that there is much attention raised among the general public regarding our government’s policy towards Indians, and therefore in writing to you, I, as a member of the Board of Indian Commissioners, want to clarify my position. Indians cannot be entirely excluded from our picture as a nation. However, the Indian society is not a cultivated society likes ours. One of my colleagues, who is experienced with Indian affairs and always provides us with elaborate information about the Indians, says their tribes are corrupted by “idleness, improvidence, and indebtedness”. The lack of private property or land and the underdevelopment of laws mark the Indian society as barbarous and inferior to ours. Because of this difference, since 1871 Indian tribes are no longer considered sovereign nations. Governments before us circumvented the Indian dilemma by relocating and establishing reservations west to the Mississippi River, yet now with a closed frontier and western migration, conflicts between settlers and the Indians are inevitable. The issue is pressing. (more…)
(In)Visible: The TV Pitch Project Winner
By Katie Hartigan, Nick Hadlock, and Anderson Fan, VI Form
(In)Visible: The TV Pitch Project Winner
Logline:
Unified in isolation, six strangers’ morality is put to the test when taking a pill makes them invisible to everyone but each other, but what they don’t know is that they are part of a social experiment and are constantly being watched.
Elevator Pitch:
(In)Visible is a two-season television show falling under the category of sci/fi, drama, and thriller. It is about six main characters that participate in a seemingly risk-free drug trial by Osiris Pharmaceutical that leaves them invisible to everyone except each other. They must cooperate in order to overcome the challenges presented to them and the mystery of what happened to them. Little do they know, they are being watched by six “monitors” behind the operation who are observing the behavior of people who think nobody is watching. Themes of cooperation, isolation, and leadership emerge as the characters find modes of survival and uncover the mystery. Season One ends with the six participants transitioning into monitors, and thus inheriting the responsibilities of monitors. New participants are introduced as the six monitors give them different moral tasks as part of the social study. Season Two ends with the new participants discovering how to escape the cycle: do the right thing.
Math Modeling: Using Math for Flight Path Safety
By Kate Sotir, Cooper Sarafin, Anderson Fan, Shep Green, VI Form and Mo Liu, V Form
Math Modeling: Using Math for Flight Path Safety
Part 1:
The problem at hand is to create a model, a rating system, that would inform potential flyers of the safety of a particular flight. Our solution includes a mathematical equation that gives us a number between 1 and 100, depending on the inputs. Although the values themselves indicate the safety level of flights, we do not want to our audience to read into the numbers: a flight with a safety index of 63 should not be considered a more dangerous flight than a flight with a safety index of 67. Therefore, to make our model directly presentable to our audience, we classified the possible outcomes into ratings. A safety index ranges from 1 to 20 would have a rating of ★, from 20 to 40 would have ★★, 40 to 60 would be ★★★, 60 to 80 ★★★★, and finally, 80 to 100 would have the highest rating of ★★★★★, and flights that fall under this rating would be the safest choice based on our model. (more…)
World War I Primary Sources Collection at the Library
By Marion Donovan, Assistant Librarian
World War I Primary Sources Collection at the Library
As a librarian at St. Mark’s this fall, I have begun to “weed” through our history collection and have taken a deep dive into time travel. In the past, I was a history teacher myself, so the primary sources that bring the past to life call out to me. A particular section in the library especially rich in those sources covers World War I. Both of my grandfathers fought in WWI on the Allied side, one as a doctor and the other as an engineer, so I grew up with stories and artifacts of “The Great War,” as it was first known. When I applied to graduate school for history at the University of Chicago, I discovered that La Verne Noyes, an American inventor and manufacturer of agricultural equipment, book holders, and windmills, had left the bulk of his fortune to scholarships for Allied veterans of WWI and their direct descendants. These scholarships have now expanded to include 48 colleges. April 6, 2017 will be the one-hundredth anniversary of the United States’ entry into WWI. The European side of the war began in 1914, so many newspaper and magazine articles have already examined new and old perspectives on those events. More will be coming with April 6 in view. We at St. Mark’s are lucky to have an extensive collection of first-hand material (diaries, letters, memoirs, news reports, propaganda, art, photographs) from marshals and generals to privates and civilians on wide-ranging aspects of this war. (more…)
America: A Country of Apple-Eaters (Salinger’s “Teddy”)
By Minjae (Izzy) Kim, V Form
America: A Country of Apple Eaters (Salinger’s “Teddy”)
A seven-year-old child is in a math class learning simple addition and subtraction of single digit numbers. To logically approach this mathematical concept, the instructor employs the analogy of cookies; she asks, “If your mom left four cookies on the table, but your sister took two of the cookies, how many cookies can you eat?” A smart and logical child raises his hand and says, “I can eat two cookies!” and the teacher rewards him with a lollipop for correctly answering the question. However, according to Salinger, that child does not deserve a lollipop because he only answered the question logically, not spiritually. Although logic is the primary approach people take to solve most problems, in “Teddy” from Nine Stories, Salinger highlights the conflict between spirituality and logic and uses this dichotomy to guide the readers in interpreting the enigmatic epigraph. To accomplish this, Salinger kills Teddy at the end of the story to verify Teddy’s esoteric wisdom of spirituality, condemn the American view on spirituality, and usher the readers to interpret things spiritually rather than logically. (more…)
Maturity and Youth: Connection in “For Esme, with Love and Squalor”
By: Helynna Lin, V Form
Maturity and Youth: Connection in “For Esme, with Love and Squalor”
In J.D.Salinger’s novel, The Catcher in the Rye, the rebellious teenage protagonist, Holden Caulfield, leaves school and wanders in New York City, trying to resolve his hatred towards the ingenuine, superficial adult world and his nostalgia of youthful innocence. The theme, conflict between youth and maturity, is continued in Salinger’s short story, “For Esme, with Love and Squalor.” The story takes place in an English town where American soldier Sergeant X prepares himself for battle and meets Esme, a 13-year-old girl who has recently lost her parents in war. They have a good conversation, at the end of which they promise each other to exchange letters. After D-Day, Sergeant X experiences a mental breakdown and loses the courage to live, but the arrival of Esme’s letter brings him strength to continue living. In this story, the wartime and battlefield are representative of the dark sides of society, and the two characters are symbols of adults and adolescents. By describing the connection between Esme and Sergeant X, Salinger proposes that youth and maturity can resolve one another’s struggles and fight against the downsides of society. (more…)
Get Well Soon: Dialogue in the Style of Hemingway’s “Hills Like White Elephants”
By Mei Mei Arms, IV Form
Get Well Soon: Dialogue in the Style of Hemingway’s “Hills Like White Elephants”
Editor’s Note: The purpose of this creative writing assignment in IV Form Writing Workshop was to build a better comprehension of implicit and explicit facts in writing pieces and to become acquainted with a specific creative writing style. Students chose to emulate the writing style of one of three short stories read in class: “Harrison Bergeron,” “Hills like White Elephants,” or “Cathedral”. Students were expected to employ the same literary devices that the authors of the original short stories used. Those who chose to imitate “Hills like White Elephants” were expected to convey a message without directly stating it.
The room held flowers, cards, balloons, bears, and stale air. The flowers had long since lost their sweet aroma to the cruel hands of time. Cards sat unread. Those shiny stiff “get well soon” balloons still bobbed halfheartedly in a corner by a window. Along the bed sat bears, tens of them, their kind bead eyes meant to make you feel some sort of happy, but were left collecting dust with (more…)
Voice in Guitar and in Literature…and in Me
By Shep Greene, VI Form
Voice in Guitar and in Literature…and in Me
The guitar is an integral part of who I am. As my skill has progressed, I’ve seen my appreciation and understanding of music progress as well. Over this past year, I began to delve into a more abstract form of music in improvisation. Within this form of my guitar playing, I began to find striking similarities between music and literature. Imagine every note as a letter and every note coming together to form a riff, with all of the respective letters coming together as one word. By the end of a piece, just as by the end of a novel, you’ll have a powerful message to send out to your listeners and readers. (more…)
LEO 