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By Bailey Horne, Nathan Laudani, and Luca Vicinelli, VI Form
Pitch Project TV Show Winner: Noise
Police Partners and best friends Walker Gibney and Irvin Demak undertake a horrifying mystery to uncover the disappearance of multiple individuals in a nearby forest.
Walker Gibney, Irvin Demak, and two other police officers get a call and go to investigate a noise complaint in the woods. As they reach the woods, they split up to cover more ground, and the other two officers disappear. When the missing officers don’t turn up, they look further into the matter, and a bigger mystery unfolds. There are supernatural gifts, a fearless leader, and a war that nobody knows about until now. Meanwhile, Walker is facing an internal struggle with his family. The divorce between Walker and his wife has broken many relationships, especially the bond between Walker and his daughter, Sophia. As the mystery unfolds, he must make decisions that will center around the fate of both Fort Collins and Gib’s loved ones. (more…)
By Grace Kingsbury, V Form
The Apple Does Not Fall Far From The Tree: On Cisneros’ “The Family of Little Feet”
Everyone has heard the saying, “the apple does not fall far from the tree,” but is there any truth to it? In “The Family of Little Feet” from The House On Mango Street, Esperanza plays a game of dress-up with her friends, Rachel and Lucy. They are given old high heeled shoes and strut around Mango Street, flaunting their beautiful shoes and long legs. The three girls are catcalled by many older men in the neighborhood, but they enjoy the attention. In the short story “Girl,” the girl is taught of chores that are expected of young women by her mother. Her mother stresses the importance of maintaining a positive reputation and looks down on promiscuity. Due to the differences in their upbringing, Esperanza expresses her sexuality whereas the girl suppresses hers as seen in their prominent accepted hobbies, varying feedback, and female role models. (more…)
By Ms. Margaret Caron, English Faculty
Referred Pain: Societal Ailments Manifested as Individual Illnesses in Dystopian Literature
“Life is pain, highness. Anyone who says differently is selling something.”
- The Princess Bride
Perhaps life is indeed pain, as Goldman suggests, or perhaps life is only pain when a government’s control and society’s structure become so stifling and warped that its people develop pains and illnesses as a reflection of that government deterioration. The unbearable agony experienced by Westley in the Pit of Despair is not unlike the pain experienced by the residents of the Thieves’ Forest as they are unjustly forced out of their homes; Buttercup’s sorrow at hearing of Westley’s supposed death mirrors Florin’s morning when they hear news that their new princess has been killed; and Count Rugen’s six-fingered right hand embodies a distorted hand of justice. A corrupt prince, an abuse of power, and manipulative treason are made more palpable by a character’s singular screams and suffering.
This narrative tactic is evident in the novels of Atwood, Zamyatin, Abdel Aziz, and Ishiguro. The Handmaid’s Tale, The Queue, We, and Never Let Me Goshare similar authoritarian governments, sick characters, and broken social systems. Offred, Yehya, D-503, and Kathy are broken, ailing humans, but they are also members of irrevocably broken societies and authoritarian governing bodies. These characters’ illnesses are more than mere byproducts of broken government control and societal values. Rather, these dystopian societies with authoritarian governments posit characters’ physical ailments as representative of larger societal illnesses and failings. (more…)
By Lora Xie, V Form
National Identity in The Golden Fish Hook
Research and write about a foundation myth that has influenced the country’s national identity or that continues to influence its identity.
On April 24, 1970, the People’s Republic of China (PRC) used the Long March 1 rocket to launch its first satellite into Low Earth orbit, becoming the fifth nation to achieve independent launch capability.Long March 1 belonged to a family of rockets named after the “Long March” (长征), a year-long military retreat is undertaken by the Red Army of the Communist Party of China (CCP) from 1934 to 1936 to escape from the pursuit of the Kuomintang (KMT or Chinese Nationalist Party) army.The trek was apotheosized by the American chronicler Edgar Snow in his 1937 officially endorsed “Red Star over China.”When the Communist Party founded the PRC in 1949, it adopted the legends about the tribulations and demonstrations of heroism that took place on the Long March as some of its most important foundation myths. These legends are taught in schools and broadcasted through media to promote the so-called “Spirit of Long March,” summarized by Jiang Zemin, the fifth president of the PRC, as “loyalty,” “sacrifice,” “practicality,” “collectivism,” and “popularism.”This essay will analyze how one specific myth, “The Golden Fish Hook,” promotes those ideologies, offers citizens consolation and motivation for adversities, and cultivates patriotism through pride and gratitude.
By Tate Frederick, Anni Zhang, Clara Hua, Tommy Flathers, Kartik Donepudi, and Elise Gobron, IV Form
Gender Roles at Fenway Park: Analysis of “Rain Delay” by Michelle Von Euw
Editor’s Note: All IV Form Writing & Literature classes embarked on a 30-20-30 Assessment (30 Minutes of Drafting; 20 Minutes of Peer Review; 30 Minutes of Revising & Editing) for a one-paragraph analysis of the short story “Rain Delay” by Michelle Von Euw. PROMPT: “What does “Rain Delay” have to say about gender? Focus your analysis on either Caroline or Kyle.”
Tate: The character Caroline in “Rain Delay” challenges the traditional gender roles used in literature because of her interest in sports and her boyfriend Kyle’s unreciprocated enthusiasm in their relationship.
Anni: Kyle acts as an embodiment for men in the society who are unaware of the other gender’s true feelings.
Clara: Caroline shows how females face more judgments and constraints in society than their male counterparts.
Tommy: By showing the difference between the reactions of boys and girls to their kiss, the way that “Rain Delay” is set up reveals the underlying role of gender that makes Caroline feel even more isolated than she already did.
Kartik: By giving insight into gender norms that guide Caroline’s actions, Michelle Von Euw uses Caroline’s situation in “Rain Delay” to highlight the expectation for high school girls to conform to societal standards when it comes to relationships.
Elise: By representing Caroline’s identity, the short story “Rain Delay” uses symbolism to communicate young women’s struggle of identity due to an underlying male superiority.
SCROLL DOWN FOR FULL PARAGRAPHS! (more…)
By Anuoluwa Akibu, V Form
Dodge Poetry Festival Reflection: She Felt Prosaic Poetic
On October 18, 2018, she came in wanting to improve her poetry. She felt prosaic. However, to her surprise, she entered a world far more different than she envisioned, a world of discussion rather than lecture, of insight rather than instruction. Instead of organized workshops to scrutinize her work in, she was given a program complete with introductory statements of the poets and a schedule of the events, the venues in which they were held, and the attending poets and the freedom to choose what she attended.
Prior to the Dodge Poetry Festival, she simply felt uncomfortable with her poetry, as she could not identify her voice in it. She forced strange words on a paper for outward validation and ignored her internal articulation. Her so-called “self-expression” was, in truth, silencing her. This was weird for her because creative writing has always been one of her passions, yet she was creating barriers between it and herself.
Of course, her voice was not entirely lost, but the Dodge Poetry Festival was an opening to an overcoming of this feeling of mediocrity, and she wasn’t disappointed. (more…)