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By Angela Li, VI Form
A Journey to My Own Version of Christopher Boone’s London
The ground spun, quite literally, on wheels beneath my feet as I looked into Siobhan’s eyes. In those few hours, this rotating stage made from plywood was not just a platform, it was a house, a classroom, and a train station. And at this moment I was not myself—I was Christopher Boone, a young man who had overcome the confines of his known reality and broadened his horizons by finding his way to London. This was the last scene in the school play, The Curious Incident of the Dog in the Night-Time, the denouement. The plywood creaked slightly under our weight, and the lights dimmed to allow glow-in-the-dark stars to shine and illuminate the final moments of this chapter. As Christopher reflected on his adventures, I saw how I had made my own journey of growth through theater. (more…)
By Cooper Sarafin, VI Form
Something Less Depressing –– A 10-Minute Play
Editor’s Note: In the VI Form elective “Writing for Actors,” the assignment called for students to write a stageable one act play, beginning with a dramatic problem. Cooper workshopped his play several times in class, culminating in a staged reading at the end of the third window. He then took it upon himself to revise it once more before sending it out to a national forum, “Trade a Play Tuesday” , where another writer read his play and provided feedback.
SOMETHING LESS DEPRESSING
By Cooper Sarafin
Cast of Characters
James: Individual who prefers the company of himself as opposed to that of others. Doesn’t care what others think of him.
Lily: A friendly girl who likes to get to know many people.
Amy: Stereotypical popular student, superficial and self-obsessed.
Opens with a Lone Figure sitting at a lunch table in thought. In the corner is a vending machine.
James begins talking into a tape recorder
Such a stigma around this, sitting alone. Why must it be regarded as entirely wrong? As something to be undesired? I see them all sitting together, absorbed in mindless conversation, unstimulating, quite boring in fact. Not to say I haven’t been counted part of them, for that’d be inaccurate. Such times as I have attempted to interact with them I joined only to have been left feeling more alone than I do now. It’s my opinion that sitting here alone, my mind to roam free, is much less lonely than to be trapped in your own head with nothing to say. Isn’t it rather lonely to be the only person who doesn’t seem to care? To be an irrelevant bystander, in close proximity, yet so far removed. For me, to exculpate myself is not a decision, but the only reasonable course of action. For alone by choice is far better than alone by force. (more…)
By Charlotte Wood, V Form
Memoirs of a Self-Professed Drama Geek
I am a fantastic liar. I lie every day for hours at a time, occasionally to hundreds of people at once. I practice lying in my free time. I never feel bad, I always get caught, and I think it actually makes me a better person. People love my lies, and so do I.
No, I’m not some sort of psychopath, I’m an actor. When you think about it, that’s all acting is, really. Lying. Don’t get me wrong, I hate lying in the conventional sense. Honesty is the best policy, as they say. However, I firmly believe in the value of lying with the consent of the party being lied to, or, in other words, acting. (more…)
The Reaction Attraction: The Chorus in Antigone
By Samantha Sarafin, IV Form
Speak up. Move to stage left. Don’t turn your back to the audience. Annunciate and enunciate your diction. When the lights come up, you need to be onstage. Don’t miss your cue. Never forget – the most important part of acting is reacting.
A number of stage directions and phrases are repeated over and over that remain in an actor’s head. In the performance of Antigone, a play written by Sophocles, actors may regard “reacting” as the most important instruction, especially the (more…)