Home » Posts tagged 'Studio Art'
Tag Archives: Studio Art
By Lulu Eastman, VI Form
A Portrait of This Artist’s Portraiture
This year in Studio III, my AP concentration is portraiture. I love to convey images of humans in my art, whether they are real people that I know personally or figures from my imagination. In my portraits, I capture the subject’s personality or identity to share this aspect with the viewer. The most common mediums I use in my art are pencil, colored pencil, and acrylic paints. (more…)
By Mrs. Barbara Putnam & Her Studio I Class
Drawing a Blank! Lessons from Studio I Art Class
What is it like to see with eyes that learn to notice everything, including what is in between bits of information? What about trying to draw with your non-dominant hand? These are two assignments for Studio I students. Whether you have never risked drawing or have taken many art courses, it is worth remembering what it is like to begin in any discipline.
In the first assignment, “Hard Lines,” students learned that different line widths communicate differently in how we perceive not only a shape but also how “gray” it is. Each student had to randomly pencil out areas to explore these line types while leaving several shapes “blank” or white. One of the areas needed to be drawn directly in felt tip pen with the non-dominant hand… which means that it will be permanent because pen is not erasable. Shaky lines remind us of what it was like when we first began to hold a pencil years ago and how your brain needed to communicate instructions over and over to get your hand to “work.” The white spaces tell us that a shape can be made by the end points of other lines, which is a concept lifted from Geometry.
By Nicola Hartmann, U Jin Jo, Filip Kierzenka, Ivy Li, and Lucy Martinson, IV Form & Sean Farrell, Paula Hornbostel, Helen Huang, Paige LaMalva, Aidana Maitekova, Isabelle O’Toole, Illia Rebechar, and Sophie Student, III Form
Painting the Underwater Protected “Ocean Park”
On September 15, 2016, President Obama designated the Northeast Canyons and Seamounts Marine National Monument (map right) to be the Atlantic Ocean’s first underwater protected area. Open to recreational fishing and phasing out commercial fishing will make this area, the size of Connecticut, a valuable research area and refuge for marine life. Dr. Scott Krauss, senior advisor and scientist at the New England Aquarium, was instrumental in securing this area of crucial habitats with 1,000-year-old deep sea corals, unique characteristics of three canyons — deeper than the Grand Canyon — and four deepwater seamounts — 13,000 feet from the ocean floor. Protected from oil, gas exploration, and overfishing, scientists will be able to observe and understand changes. The marked area will help preserve rare and endangered corals, fish, invertebrates, turtles, and three species of whale.
Students in Studio I made this new protected space their area of investigation. (more…)
By U Jin Jo, IV Form
The Mask: Art Inspired By The Loss of My Grandfather
“Do you ever wish you could just take off your mask and show people what is going on inside of you?”
I have been asked this question multiple times before. However, I never really understood what it meant before I experienced the death of someone whom I loved. In fact, his absence is still hard to believe today.
My grandfather – my best friend, my mentor, my everything – passed away two years ago when I was in 7th grade. The pain of the loss was unbearable for my 13-year-old self. However, having to tough through each day of school, I maintained the bright smile on my visage and carried my sadness within me. Day after day, I became more tired of burying my feelings inside. Eventually, I could no longer hold back the tears that flooded inside of me. I needed to show people what was going inside of U Jin Jo.
For this piece of art, I wanted the background to be important without having too much information because I wanted the focus to be on the inside. Hence, I used red acrylic paint and created a gradation behind the person. For the hair, I used a black felt-tip pen for the hair-like patterns. Under the mask of the girl, I wanted the section to express an entirely different feeling than the rest of the page because it is the focus of this piece. I looked through fashion magazines and cut out images of thunderstorms, clouds, and tears to create an ominous collage. Everything else was done in pencil. (more…)
By Shep Greene, VI Form
Voice in Guitar and in Literature…and in Me
The guitar is an integral part of who I am. As my skill has progressed, I’ve seen my appreciation and understanding of music progress as well. Over this past year, I began to delve into a more abstract form of music in improvisation. Within this form of my guitar playing, I began to find striking similarities between music and literature. Imagine every note as a letter and every note coming together to form a riff, with all of the respective letters coming together as one word. By the end of a piece, just as by the end of a novel, you’ll have a powerful message to send out to your listeners and readers. (more…)
By Gabe Brower, VI Form
Drawing on Our Brains: How Neuroscience and Art Can Teach Us About Learning
I have yet to meet a single student at Saint Mark’s that has never crammed for an exam. They fill up their brain temporarily with information for an upcoming test in a vain attempt to not fall flat on their face the next day during their test. To be honest, it sometimes “works”, as defined by a good score, and I can speak from experience in this area. However, that doesn’t mean cramming is effective. It is the result of disengaged students and ineffective teaching methods that culminates in temporary information retention, and over the long run the crammed information isn’t retained. Therefore, no valuable learning takes place. (more…)