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By Mo Liu and Jamie Lance, V Form
Letter to the Editor: Native American Policy
Dear Editor Jackson,
It occurs to me that there is much attention raised among the general public regarding our government’s policy towards Indians, and therefore in writing to you, I, as a member of the Board of Indian Commissioners, want to clarify my position. Indians cannot be entirely excluded from our picture as a nation. However, the Indian society is not a cultivated society likes ours. One of my colleagues, who is experienced with Indian affairs and always provides us with elaborate information about the Indians, says their tribes are corrupted by “idleness, improvidence, and indebtedness”. The lack of private property or land and the underdevelopment of laws mark the Indian society as barbarous and inferior to ours. Because of this difference, since 1871 Indian tribes are no longer considered sovereign nations. Governments before us circumvented the Indian dilemma by relocating and establishing reservations west to the Mississippi River, yet now with a closed frontier and western migration, conflicts between settlers and the Indians are inevitable. The issue is pressing. (more…)
By Selina Wu, IV Form
《Indigènes》–– Le Miroir de La Réalité
Editor’s Note: The assignment for this essay–Write a 2-4 page analytical essay that discusses themes from the chosen content (Selina chose this film). Present themes and analysis using support from the chosen content and end by opening up a new question, which Selina does by asking: “As global citizens, how can we understand ongoing conflicts of race and religion.”
Le film 《Indigènes》raconte une histoire des soldats algériens pendant la Seconde Guerre Mondiale. Malgré le fait que les soldats viennent d’Algérie, ils vont à la guerre pour la
France à cause de la colonisation française. Le film montre la séparation des femmes et des hommes, les conflits entre les religions différentes, et l’inégalité des races.
Un des thèmes les plus importants est les rôles différents des hommes et des femmes pendant la Seconde Guerre Mondiale. Dans le film, les hommes et les femmes n’ont pas beaucoup d’interactions. Quand les hommes sont partis pour les combats, les femmes sont “devenues « chefs de famille » par la force des choses, pour pallier l’absence de l’homme” (Kristjánsdóttir 16). Dans le film, les soldats sont demandés de protéger un village français. Il y a seulement des femmes et des enfants dans le village parce que les hommes sont tous dans la guerre. Les rôles des femmes ont beaucoup changé après la Seconde Guerre Mondiale. La distinction entre les occupations des hommes et des femmes est clairement présentée dans le film. (more…)
By Marion Donovan, Assistant Librarian
World War I Primary Sources Collection at the Library
As a librarian at St. Mark’s this fall, I have begun to “weed” through our history collection and have taken a deep dive into time travel. In the past, I was a history teacher myself, so the primary sources that bring the past to life call out to me. A particular section in the library especially rich in those sources covers World War I. Both of my grandfathers fought in WWI on the Allied side, one as a doctor and the other as an engineer, so I grew up with stories and artifacts of “The Great War,” as it was first known. When I applied to graduate school for history at the University of Chicago, I discovered that La Verne Noyes, an American inventor and manufacturer of agricultural equipment, book holders, and windmills, had left the bulk of his fortune to scholarships for Allied veterans of WWI and their direct descendants. These scholarships have now expanded to include 48 colleges. April 6, 2017 will be the one-hundredth anniversary of the United States’ entry into WWI. The European side of the war began in 1914, so many newspaper and magazine articles have already examined new and old perspectives on those events. More will be coming with April 6 in view. We at St. Mark’s are lucky to have an extensive collection of first-hand material (diaries, letters, memoirs, news reports, propaganda, art, photographs) from marshals and generals to privates and civilians on wide-ranging aspects of this war. (more…)
By Haley Dion, IV Form
Race in Hurston’s Their Eyes Were Watching God: an Infographic
We were given a project that instructed us to create an infographic on a key theme from Their Eyes Were Watching God. My infographic focuses on the theme of race in the novel. It discusses the characters’ connections to race, the relationship between race with other themes in the book, and the presence of race throughout the chapters. I enjoyed creating this infographic because I got to look at the importance of a modern day issue in the 1920s/1930s time setting of the novel. The elements of the infographic are below or you can access the full infographic by clicking here. (more…)
By Rosanna Zhao, III Form
A is NOT for Asian
What did you get on that test? How did you do on the essay? What’s your average right now?
A for Asian. An A on that test, an A on the essay, and of course, an A for my average. The world accepts nothing less. It has been set into our heads through generations that every single Asian around receives a perfect grade automatically. Displayed through short videos, television shows, books and movies, the “smart Asian” has become one of the most stereotypical stereotypes there is. I am bound between that definition of being an Asian. There was no time where the realization snapped into me – it had always been a looming shadow that followed wherever I went. There were high expectations set for me since the beginning, and as I grew older, those voices of expectations that I heard became the ones echoing in the back of my head. (more…)