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The Ely Speech Prize for The Global Seminar: Signature
By Divi Bhaireddy, III Form
The Ely Speech Prize for The Global Seminar: Signature
The Ely Prize in Public Speaking, originally given by a member of the Class of 1892 in memory of his mother, is presented to the student who gave the best speech in the Global Seminar Public Speaking Competition.
Someday in the future, I will be someone’s ancestor. People will tell stories about me; what I did with my life, what family I made, and the impact I left behind. Those people in the future won’t know how I laughed or how I smiled, my quirks or my chatter, but instead, they’ll know all that I did with my life. My name will be passed down, and how I decide the way my name is remembered, is all in my hands.
In the beginning of this school year, one of the first assignments we had in The Global Seminar was titled, “2.1 Our Names & Our Places in the World”. It was all about what our names meant and how it reflected our stories. And although we hadn’t chosen that name, it was still ours.
Our names were given to us by other people. Whether it be your mother or your father who gave it to you, your grandmother or your religion, it isn’t your choice. My name is Divi. My full name: Divija. It means born in heaven. And since I was a child, my name has been mispronounced when people first meet me because it isn’t one that they have encountered before. But, this year in TGS, we learned about Hinduism. How rich my culture is and how sacred our beliefs are. We learned about Samsara, which is a cycle of life ultimately to reach a state of Moksha; enlightenment. It helped me gain a deep appreciation for my name and all its uniqueness. And once I came to terms with my love for my name, it was time for the hard part: how I wanted that name to represent me.
(more…)The William Otis Smith Prize for English Verse: “blue break of dawn”
By Sophie Chiang, V Form
The William Otis Smith Prize for English Verse: “blue break of dawn”
The William Otis Smith Prize for English Verse is given in memory of a member of the Class of 1907 and is awarded to one student, who, in the judgment of the English Department, has submitted the outstanding verse during the past year.
“blue break of dawn”
no one ever crosses the cracked crosswalks
in the blue break of dawn. your mind flickers
into a sea-bloom of blue lights and credit cards,
of white powder and rolled-up dollar bills. you’ve
never been too cautious, these mannequins seem
to hold a gaze so intense it’s like you’re 17 and
speeding past red & blue flashes all over again.
you cry out and pick at your scalp, the one thing
holding together everything you’re made of,
the one thing you’ve ever been terrified to grasp.
there’s not much room to hold your new life next to
your mother’s faltering punch and your father’s
drunken breath. you wonder if this is universal. you
wonder if this is where it starts for people like you. you
wonder if that’s why when it matters, no one ever
crosses the concrete where you come from.
The Shen Prize: The Ongoing Struggle Against the Corrupting Influence of Money in Politics
By Alden Mehta, V Form
The Shen Speech Prize: The Ongoing Struggle Against the Corrupting Influence of Money in Politics
THE SHEN PRIZE is awarded to the winner of a public speaking contest among Advanced Placement United States History students on the topic of democracy. The prize is given by Y.L. Shen in honor of his daughters, Ing-ie (Ava) Shen of the Class of 1988 and Ing-Chuan (Judy) Shen of the Class of 1989.
Is it possible for influence in American politics to be bought? The answer is yes. In theory, a true democracy adequately represents the voice of its people, showing no bias towards status, identity, or wealth. We should see this representation reflected in the profiles of the politicians elected through the democratic process. However, in the US, political candidates rely on generous contributions from the wealthy to fund increasingly expensive campaign efforts. Through these contributions, the rich gain a degree of undue influence in politics; instead of reflecting the concerns of their electoral bases and amplifying the voices of the general public, we see politicians prioritizing the interests of their biggest donors. Campaign funding, rather than public interest, drives their work. This hole in American democracy led to the enactment of the Federal Election Campaign Act (FECA), authored by Senator John Pastore (D-RI), in 1974. FECA sought to remove the corrupting influence of money from politics. Ultimately, FECA did not eliminate the importance of money in politics, but was still an expansion of democracy in the US because it set a lasting standard for campaign spending and contributions and increased government regulation in order to limit the influence of money in politics.
(more…)The Coleman Prize in English: Is Atonement Always Attainable?
By Madison Hoang, V Form
The Coleman Prize in English: Is Atonement Always Attainable?
The Coleman Prize in English, endowed by Joseph G. Coleman Jr., Class of 1899, is awarded to that student, who, in the judgment of the English Department, has submitted the outstanding essay during this academic year.
“She [Briony] was calm as she considered what she had to do. Together, the note to her parents and the formal statement would take no time at all . . . She knew what was required of her. Not simply a letter, but a new draft, an atonement, and she was ready to begin. BT” (McEwan 321).
In a shocking conclusion to Part III of Atonement, author Ian McEwan inserts the initials “BT,” revealing the crucial fact that thus far, the whole novel had been a written retelling by none other than the novel’s protagonist herself, Briony Tallis. It is only after her confrontation with her victims, her sister Cecilia and childhood housekeeper Robbie, that Briony finally “begin[s]” her process of atonement. Readers soon realize that the narrative portrayed in Part III is entirely a product of Briony’s imagination; in reality, she never gets the chance to confront Robbie and Cecilia, and she never did write a “letter” or “formal statement” to begin her atonement. Instead, “a new draft” – alluding to the entire novel in of itself – shows how Briony’s role as a writer throughout earlier stages of her life is linked to her inability to face her wrongdoings. She thinks that an opportunity to retell her story is the only way for her to seek true atonement. As a writer, Briony grows by exploring new perspectives, experimenting with new stylistic devices, and developing her stories’ plots. As an adult, Briony also matures by becoming a more empathetic, accountable, and courageous figure, which ultimately allows her to attain atonement for her past wrongdoings.
(more…)George Hill Burnett History Prize: The Camp Fire Girls and the Appropriation of Native American Culture
By Marianne Lyons, Class of 2022
George Hill Burnett History Prize: The Camp Fire Girls and the Appropriation of Native American Culture
The George Hill Burnett History Prize is given to commemorate the graduation in 1902 of a grandson of the founder. It is awarded on the basis of a special essay in American history.
American camping associations are iconic. The camping movement from its inception and in all its forms has shaped American culture. In fact, I have had the privilege of attending Wyonegonic Camps in Denmark, Maine for the past ten years.
This past year as a counselor, I had the opportunity to pass down traditions directly to my campers. As part of this, I once took my cabin to my camp’s cramped museum, which holds the artifacts of Wyonegonic’s 120-year history. My campers humored me by asking questions about the different songs and pictures that covered the walls.
One of my campers paused as her hand hovered over a blurry, black and white picture. She called me over, and I studied the image. It was dated 1919 and showed a small white girl in Native American traditional dress. I paused. I thought hard about what to do and what to say next. Native American dress, lore, and appropriation are integral to the long history of the American camping movement. I didn’t know how to summarize and convey that history to my wide-eyed ten-year-old camper, but I knew I had to explain. I called my cabin over to the picture and opened up a conversation. I covered why this photograph might be offensive and encouraged the girls to share their perspectives. This conversation wasn’t easy, but it was important for my campers to understand the complexities of our shared history.
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LEO 