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Tag Archives: Independent Projects
Lindsay Nielsen Photography: Remarkable in the Unremarkable and Exceptional in the Unexceptional
My first camera was a $200 Nikon Coolpix that I bought with all of my babysitting money the summer I turned 13. I had always loved photography and the idea of capturing moments we can’t get back. When I got older, I started watching Youtube videos and teaching myself how to take more advanced pictures. My mom was always asking me where her Canon DSLR was, because I would constantly borrow it to take photos of our two Vizslas. During sophomore year my godfather, Joseph Ratner, gave me his old Nikon D3100 and I was elated. It was my first serious camera, and I had every intention to make the most of it. Photography has always been a passion of mine and it was an amazing moment hearing that I was one of the recipients of the Class of 1968 Grant. I built this portfolio the summer after my junior year and I will continue to use my camera to capture everything around me.
Striving for a Cure at the Ben Towne Center for Childhood Cancer Research
By Katie Hartigan, VI Form
Striving for a Cure at the Ben Towne Center for Childhood Cancer Research
As my eyes scanned the people seated at the conference table around me, I admired each one of them immensely. To know that I was sitting in a lab meeting with the faces behind the statistic “93% remission rate for children with acute lymphoblastic leukemia” was astonishing to me. I stared up at the projector screen taking in the jargon that I partially understood, trying to decipher each scientific discovery and hoping that one day my name too would follow some great breakthrough displayed on a similar projector screen.
In the spring of my junior year, I was selected to travel to Seattle that upcoming August to work at the Ben Towne Center for Childhood Cancer Research at the Seattle Children’s Research Institute. (more…)
Get Well Soon: Dialogue in the Style of Hemingway’s “Hills Like White Elephants”
By Mei Mei Arms, IV Form
Get Well Soon: Dialogue in the Style of Hemingway’s “Hills Like White Elephants”
Editor’s Note: The purpose of this creative writing assignment in IV Form Writing Workshop was to build a better comprehension of implicit and explicit facts in writing pieces and to become acquainted with a specific creative writing style. Students chose to emulate the writing style of one of three short stories read in class: “Harrison Bergeron,” “Hills like White Elephants,” or “Cathedral”. Students were expected to employ the same literary devices that the authors of the original short stories used. Those who chose to imitate “Hills like White Elephants” were expected to convey a message without directly stating it.
The room held flowers, cards, balloons, bears, and stale air. The flowers had long since lost their sweet aroma to the cruel hands of time. Cards sat unread. Those shiny stiff “get well soon” balloons still bobbed halfheartedly in a corner by a window. Along the bed sat bears, tens of them, their kind bead eyes meant to make you feel some sort of happy, but were left collecting dust with (more…)
Voice in Guitar and in Literature…and in Me
By Shep Greene, VI Form
Voice in Guitar and in Literature…and in Me
The guitar is an integral part of who I am. As my skill has progressed, I’ve seen my appreciation and understanding of music progress as well. Over this past year, I began to delve into a more abstract form of music in improvisation. Within this form of my guitar playing, I began to find striking similarities between music and literature. Imagine every note as a letter and every note coming together to form a riff, with all of the respective letters coming together as one word. By the end of a piece, just as by the end of a novel, you’ll have a powerful message to send out to your listeners and readers. (more…)
Rebel Without a Cause and Juvenile Delinquency Hysteria
By Harry Kuperstein, VI Form
Rebel Without a Cause and Juvenile Delinquency Hysteria
Rebel Without a Cause, starring James Dean, was released in 1955, which was around the peak of the hysteria surrounding juvenile delinquency. Chapter 4 of Gilbert’s A Cycle of Outrage states that from 1953 to 1958, there was a spike in articles about delinquency. The Senate also heard cases of delinquency in 1953, some of which lasted over a decade. And, it soon became evident that movies about teenagers turning towards delinquency, likely propped up by famous icons like James Dean, became wildly popular. Over sixty films centered on the idea of juvenile delinquency were released in the 1950s (Gilbert 85). (more…)
Global Connections of Media and Skin
By June Seong, IV Form
Global Connections of Media and Skin
Amidst the chaos that is my life – including the future I must decide upon, the necessity to be “special,” and my attempt to make this post somewhat grammatically correct – I am struck by my simultaneous privilege and ignorance. This privilege and ignorance is exhibited through myriad ways at this very moment: 1) this dull MacBook Air that I am communicating through and that was probably configured by an underpaid or unpaid laborer; 2) the whizzing air conditioning that is breathing on my neck so that I might not die from heatstroke whilst the world scales up a few sweltering Centigrades; 3) the immensity of the world that is within computer click’s reach via Facebook. (more…)
Sketches Under the Hot Sun
By Kennedy Petties, IV Form
Sketches Under the Hot Sun
I completed four sketches this summer on 18 by 24 paper, with 2 on black paper in color and 2 on white paper in shaded pencil. I worked on it for Studio 3 this year as a IVth Former. It was a concentration on globalization and how I defined it. I define globalization as the interconnection of ideas, people, and places. It’s like social networking for beliefs and worldly progress and history. I took things from my everyday life, in this case automobiles and their breakdown, and had to express them within the parameters of the assignment. The structure of a car, and how each part is from somewhere else and then put together to create something to take you anywhere else, is amazing to me.
Memorialization, Memory, and the Civil War
By Joseph Lyons, IV Form
Memorialization, Memory, and the Civil War:
The Evolution of Civil War Memory through the Monuments of North Carolina and Maine
Introduction:
Driving up the hill from downtown Bridgton, Maine, one sees a towering Civil War monument looming on the horizon. The monument itself is unremarkable, as there are at least 144 other Civil War memorials in the state. Given the imprint that this conflict left on America’s collective memory, the prolific memorial-building efforts in Maine are no surprise. However, the way Maine memorials portray the conflict is rather puzzling. Despite the fact that the Union fought the war, at least in part, for emancipation and racial equality, Mainers constructed monuments, like the one in Bridgton, that largely disregarded the significance of slavery to the conflict. The inscription on the Bridgton monument reads: (more…)
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