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The Islamic Art of the Calligraphic Manuscript By Muhammad Taqi (1695)

By Jenny Tang, V Form

 

The Islamic Art of the Calligraphic Manuscript By Muhammad Taqi (1695)

Most people, upon hearing art, think of visuals. They recall famous paintings and sculpture. Art, however, has many more facets. Islam, for instance, regards calligraphy and book-making

as the highest form of art. For this reason, a calligraphic manuscript was chosen for this assignment. The manuscript also presents visual elements worth studying. The piece is created by Muhammad Taqi in Persia of 1695 during the era of the Safavid Empire. It is stored in Carnegie Mellon University’s rare books collection. The manuscript has a floral painting cover, a first-page design, and calligraphy. It contains namaz (daily prayers) and verses for Ramadan (the Month of Fasting) written in Arabic[1]. Given its size of 13 by 9 by 1.3 cm, it was probably carried around for prayers. The calligraphic manuscript exemplifies Islamic art by using the elements of floral arabesque, geometry, and calligraphy. Analyzing the manuscript unveils Islamic art’s root in both religion and secular, global influences. (more…)

The Art of Calligraphy

By Sean Kim, VI Form

The Art of Calligraphy

IMG_2367As the Western Hemisphere settles down from all the hubbub of the new year, many nations in East Asia and their diaspora communities recently celebrated their new year: the Lunar New Year. Even with all the “westernization,” celebrating holidays based on the lunar calendar and tradition that come with the holidays have stayed an integral part of communities throughout East Asia and beyond. One of the traditions of the holidays is calligraphy. Calligraphy, which began as a crude pictogram in Ancient China, has been considered a work of art for millennia. Just as art did, calligraphy in East Asia developed and evolved, spawning numerous styles of writing that came and went as centuries passed. (more…)