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Summer Inspiration at My Studio in Korea

By Julia Seo, V Form

 

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Art to me has always represented freedom:  an escape from my daily life and a way to express myself.  As an artist, I am very passionate about drawing food.  It gives me happiness and joy.  Plus, I really enjoy eating!  It is interesting to look at food that we consume in daily life in my own unique perspective and express it through colorful drawings.  When I draw or paint, I try to use as many colors as I can to make my creations vivid and lively.  I am intrigued by the exploration of my own color combinations and style when composing.

Over the summer, our assignment as Advanced Studio artists was to make two mark-making drawings (the idea of showing the style of lines used to create the piece) by pencil or colored pencil and two other pieces for our (more…)

Seeing Is Believing: Learning to Draw in Studio I

By Barbara Putnam, Art Faculty

We go to school to learn how to learn. We develop physical, emotional, and perceptual skills that allow us to leave behind what we once thought were limitations. I have always loved teaching the real beginners in Studio I– those students who are convinced that they have no eye and think they have nothing in common with those around them who mysteriously, eloquently, translate thoughts and observations onto sheets of paper. Most of us remember painting as children but learning to “speak” in a more sophisticated visual language means embracing a wholly new enterprise, similar to constructing that first meaningful conversation in a foreign language.
I asked students in this year’s Studio I class to deconstruct a myth about Studio Art: that you are either born with “it” or not and to describe what may be a recent or a distant memory about the process of learning to see. Included are samples of their early work followed by a drawing completed just after spring break.

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A Portrait of This Artist’s Memories

By Annie Pease, VI Form

P1050642Over the summer, I was rummaging through some of my old things and opened a box in the attic to find what was left of my old ballet costumes.  Sadly, the box had become more of a storage space for mice than a storage space for my precious childhood memories.  I began to sort through the remaining bits of tulle and embellished leotards.  Aside from one only slightly damaged dress, the jeweled scraps of the five or six others were the only pieces still in tact.  I realized that the tattered dresses were a physical representation of the memories I have of that time in my life: the shining moments were still in place, but everything around them was gone.  By this time in the (more…)

Drawing the History of Technology

by Lucy Cao, III Form and Rory Colburn, IV Form

photo 3-2In Art Studio II, students read an article in Harvard Magazine called “The Digitization of the Humanities.” They looked critically at a large still life of objects representing the history of technology, including objects we do not readily associate with today’s lightning speed of information gathering and synthesis.  The assignment was to make a drawing from this group of essentially black and white objects using color, line, and surface metaphorically.  Choosing what to emphasize and identifying issues and ideas about the role of technology in their lives was a major part of the assignment, and, at times, it became necessary to depart from observational reality to make visible their personal point of view. (more…)